Time flows like fingers;
Through the silky hair,
Over soft, golden skin,
Across hips and curses,
Until it finds you, Aphrodite:
You who gave birth to the kosmos
And do it time and time again,
When bodies meet and
Skin flushes with Love.
Posts Tagged ‘Emotions’
Time flows like fingers;
His claws rake the earth. Fever stretches through
His coarse fur, his skin, his eyes that gleam with
Animal promise. Coyote’s kisses
Are edged with wildness, burning with instinct.
When you hear the name ‘Aphrodite,’ it is highly likely that you immediately understand who it is one is speaking of – after all, Aphrodite (and the Roman goddess that she was identified with, Venus) is a popular figure even outside of Hellenic Polytheistic circles. However, unless you have delved quite deeply into the Greek mythologies, it is unlikely that you will know who ‘Ananke’ is. She is not a mainstream goddess; she is not Olympian nor an attendant of such, but rather she is one of the gods—the Protogenos or primeval gods—who are principally responsible for the creation of the cosmos and everything within it.
Simply put, Ananke is the god of compulsion, necessity and inevitability. She was born the sister-mate of the Protogenos Khronos, king of time—who is deeply identified with Aion, the Protogenos lord of eternity—and from their embrace Phanes first begun. Phanes, the primeval god of creation and generation, equated with Hesiod’s Elder Eros and the more well-known (and oft-called ‘younger’) Eros, god of love and the son of Aphrodite.
In my personal view of How The Kosmos Came To Be—based on a mix of classical sources—in the beginning, and for unknowable eons, all that existed was Khaos; the deep mists of the void. Khaos existed, and nothing else: she did not breathe, she did not think, she did not live. And yet stirring in her misty womb—perhaps over hundreds of thousands of years; perhaps for even longer—were the Protogenos gods Ananke and Khronos-Aion. Nature, of course, abhors a vacuum; and so it was the eternal pull of inevitability that pulsed together in the barely-there body of Khaos until, finally, the moment arose and Ananke and Khronos-Aion were born, tangled together.
From Khronos-Aion and Ananke’s violent, and yet utterly sexless, embrace, Phanes’ egg was produced; it grew in Ananke’s womb until the time came for it to emerge. And yet there was, truly, no way for the egg to emerge: there was yet no Phanes, no Protogenos pull to reproduce – and so they could not, did not, reproduce. It was only when Phanes hatched from his egg, deep in Ananke’s body, that they became truly, sexually formed: and at that moment, Ananke was torn apart by the immense pressure of generation, life, sex – the immense pressure that was Phanes. Thus, now, Ananke’s divinity rested with Khronos’ still, but she was utterly formless—more so, even, than Khaos.
Phanes’ arrival—his necessary arrival—into the kosmos kicked everything into action. The other Protogenos offspring that had been stirring within Khaos were instantly born – Erebos, Nyx, Tartaros and Gaia; darkness, night, the stormy pit beneath the earth and the earth itself, respectively. Phanes pulsed, everywhere: the Protogenos gods crashed together and life exploded in the far-reaching darkness of the kosmos.
Gaia, with only Phanes’ massively sexual influence and no tangible partner, produced children such as Ouranos, the heavens, whom shortly thereafter became the father, with Gaia, of the twelve Titanes. The Titanes were led by Kronos, god of destructive time, and the bi-gendered god Agdistis, who would later be castrated and become the goddess Rhea-Kybele. However, not all was as perfectly peaceful as it may sound: and the first war between the gods was not long in arriving.
After the Titanes’ births, Ouranos and Gaia continued to come together—he descended nightly to lie with her—and they produced more children, the Hekatonkheires (six hundred-handed and fifty-headed gigantes). The Hekatonkheires were so awful and terrifying to look upon that, after the birth of the first, Ouranos took it upon himself to force each back into Gaia’s womb. This caused her immense pain, and she eventually went to her Titane sons to ask them for their help. Only Kronos agreed to help.
Kronos, as is rather well known, ambushed Ouranos as he descended to lie with Gaia, and castrated him. The severed genitals of the god landed in the sea, mixing with Thalassa’s Protogenos sea-womb – and Aphrodite began to take shape. Over the course of the hundreds of years during which Aphrodite was formed, Agdistis became Rhea-Kybele, Rhea and Kronos’ Olympian children were born, Kronos swallowed all of the Olympians but Zeus, and Zeus, when old and powerful enough, waged war with the Titanes and won the reign of the kosmos.
As such, this time was not yet right for Aphrodite: the Moirai spun the threads of violence, hate and pain, and there was then no opening for a god such as Aphrodite who encompassed both spectrums of emotions and bodily states; the good (such as love, piety and friendship) and the awful (war, torture and death). And as she was growing—slowly and steadily, in the womb of deep Thalassa—the divine essence of Ananke remained torn apart. That essence resonated with Aphrodite’s own: for both are gods of compulsion, of necessity, of want and need and inevitability, and both longed for completion – Aphrodite for the wars to cease and to be born, lovely and whole, and Ananke to return to her mate Khronos-Aion, who continued to turn the heavens without her.
It was inevitable, in and of itself, that Ananke’s loose divinity would be attracted to Aphrodite’s. They drew steadily closer—Ananke filtered through Thalassa’s womb and delighted in the contact with a fellow yearning divine—until, in a burst of what truly could only be described as fate, their essences merged together. Ananke ceased to exist; Aphrodite alone never truly existed. They became one: Aphrodite-Ananke, the Protogenos, Titane and even Olympian goddess of the necessity of procreation, the compulsion of love, and the inevitability of beauty in a world created by such gods as these.
The war between the Olympians and the Titanes ended shortly after, and the time came for Aphrodite-Ananke to, slowly, be born. At this time, Phanes’ influence was still everywhere, pushing at anything and everything to create, create, create; and it was here that ‘Aphrodite’ and ‘Eros’ first met, as she was being born and he was there to urge her on (and yet he was her own child: for he was the son of Ananke and Khronos, and her essence was now so wound with Ananke’s that it would have been impossible—truly, truly impossible—to separate them; they had totally become one).
From the very first, Aphrodite-Ananke and Phanes connected. As the resonance between Aphrodite and Ananke had occurred, it occurred now between Phanes and Aphrodite-Ananke – but the end result was much different. Instead of their essences merging, Phanes wrapped himself around the child-goddess and all but suffocated her in his embrace. From this, a seed of divinity flickered in Aphrodite-Ananke’s womb—a connection—and Phanes poured his entire divinity into Aphrodite-Ananke in a tidal wave that shook the childhood from her essence and brought about, simultaneously, the rapid development of the child, or rather the children, within her womb.
She gave birth to Phanes immediately: he was now born again as Phanes-Eros, Phanes-Himeros and Phanes-Pothos – the gods of love, desire and passion. By the time that she finally reached the shore of Cyprus, Zeus immediately met her and ordered that she join the Olympian gods, perhaps recognising the Protogenos stir in her eyes and smiles, and she, in turn, asked Nerites to join her. He refused, and refused again the wings she would offer him, and the first instance of her wrath against a wrongdoer of love occurred; she turned him into a shellfish, and gave the wings to her Erotes, instead.
And, thus, Aphrodite-Ananke became known as simply Aphrodite, and her sons not as Phanes-Eros, Phanes-Himeros and Phanes-Pothos, but simply Eros, Himeros and Pothos. It is these words that even I most commonly use, due to ease, but the deity I refer to each time is the same: ‘Aphrodite’ is the mixture of the essences of Aphrodite and Ananke; ‘Eros’ is Phanes reborn as Eros; ‘Himeros’ is, likewise, Phanes-Himeros; and, finally, ‘Pothos’ is Phanes-Pothos.